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#WellActually…

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There was a time, not so long ago, when Neil deGrasse Tyson was univerally beloved as an icon of science and rationality. He made the rebooted Cosmos an unlikely hit, and his take-downs of scientific ignorance on Twitter were staples of virtually everyone’s feed. Then something changed. His Twitter feed became a series of exercises in #WellActually-ism, as he took it upon himself to take down views that no one held. #WellActually, New Years Day has no astrological significance — take that, person who… held that view, if you exist. #WellActually, the Earth doesn’t leap at all during Leap Year — apparently this is supposed to be a common misconception, rather than an idea that had literally never occurred to anyone. And now, the very worst depths of #WellActually: you don’t oppose Trump, you oppose his supporters — see, because you don’t want them to vote for… um, well, Trump. Zing!

This sad tale should be a warning to every academic who is tempted by the siren-song of Twitter. There’s something about the drive to constantly craft witty, counter-intuitive aperçus that is obviously corrosive to the mind. Inevitably one reaches the level of self-parody. Thankfully for Tyson, his self-parodic version is merely smug and too-clever-by-half. There are worse “worst selves” out there, such as the racist demagogue that Dawkins’ self-parody version turned out to be.

In retrospect, I can admit that I was reaching that level with the tweets that got me in trouble last year — too quick to opine, too cynically “knowing,” too self-indulgently sarcastic, too entitled in my assumption that everyone was somehow “in on the joke.” In retrospect, it may have been an unintentional act of mercy for the right-wing hordes to drive me away from Twitter, at least as a frequent improvisational tweet-crafter (I do like to retweet funny things and respond to friends’ tweets now and again).

The sad part is that I still feel a certain pride in my Twitter virtuosity. I look at Tyson’s decline and think: I could do better than that. But the end result would be the same — compulsively returning to the same tired formulas, gradually alienating more and more people. When my paranoia about fresh waves of harrassment drives me to search for my own name, it’s clear that there are people who are just vaguely annoyed at me, who use me as a byword for smugness or arrogance. It’s yet another way in which being good at Twitter produces only bad results. The better you are at crafting tweets, the more you get retweeted and the more people get sick of you. The more “exposure” you get, the more exposed you are to harrassment.

Twitter eats through the talent and reputation of its most dedicated users. Even more than Facebook, I think, it’s a “user” — and so it makes sense that the quintessential Twitter user turns out to be none other than Donald Trump, whose apparently unlimited supply of contempt and resentment renders him immune to the platform’s corrosive effects, which only indeed make him even stronger. He thrives on the “hate retweet,” the “get a load of this guy.” Trump is the truth of Twitter.


Filed under: blog posts, politics of the absurd, Social networks
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betajames
2632 days ago
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Michigan
mwclarkson
2973 days ago
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Providence RI USA
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ckunzelman
2974 days ago
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I really enjoy this -- thinking about the grating force of being clever on Twitter
Atlanta, GA

An abstract Kandinsky painting becomes an interactive game

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kandinsky2

NAME: Animated Kandinsky

AUTHOR: Nivetha Kannan and Sarah Kwan, fine arts students at Carnegie Mellon University.

DESCRIPTION: Painted in 1932, Wassily Kandinsky’s abstract painting “Decisive Pink” gets a digital makeover where gamification is used to give a better understanding of the forces at work within the canvas. As soon as the “player” clicks on a form, it produces a different sound and animation. Some animations remain abstract but others venture into figuration, like the two triangles becoming a small dog.

AMUSEMENT RATE: Abstract art can appear quite impenetrable to people who do not have the keys to understand the artworks. “Animated Kandinsky” could be the perfect program to resolve this issue. Interactivity and animation are here used to reveal the underlying sense of movement that exists in each one of Kandinsky’s paintings. While it is only a student project for now, some museums should really look into Nivetha Kannan and Sarah Kwan’s idea and develop it into an educational program that would familiarize people with art.

Source: ANIMAL

essai2kandinsky1

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ckunzelman
3331 days ago
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Interactive Kandinsky Paintings
Atlanta, GA

1950s : Baby called Jesús Ballesteros learning to walk with a wicker frame

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Baby called Jesús Ballesteros learning to walk with a wicker frame

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ckunzelman
3774 days ago
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whoa look at this cool baby learning to walk
Atlanta, GA

CounterPunch and the War on the Transgendered

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Regarding anti-trans* rhetoric as legitimate erases the experiences of an entire class of people.

(Image courtesy of The Transadvocate)

(Image courtesy of The Transadvocate)

I’m an endangered species. Nearly half of people like me attempt suicide. Hundreds of us are murdered annually and, worldwide, that rate is only increasing. Those of us who have a job and a place to live often lose them both; too many of us can’t acquire either in the first place. What I am is a transgender woman, one of the lucky ones.

I’m lucky because I’m white, and because I have employment, housing and health insurance. I can’t get too comfortable, though, because every few days, a tragic headline reminds me of how fragile we are as a group: class: “Anti-Transgender Bathroom Bill Passes,” “Transgender Inmates At Risk,” “Transgender Woman Shot.” The world is not kind to us and the news never lets me forget that sobering fact.

In some bizarre alternate reality, however, I’m seen as a villain who invades “real” women’s spaces and perpetuates harmful gender stereotypes. A small but vocal band of activists known as “Radfems” see transgender women like myself as a blight on the feminist movement, but— because their views are not representative of the feminist movement as a whole — many trans*-inclusive feminists refer to them as TERFs, or Trans*-Exclusionary Radical Feminists.

The chief TERF figurehead is a Maryland attorney named Catherine Brennan who once served as Gonzaga University’s liaison to the American Bar Association’s Committee on Sexual Orientation and Gender Identity. In July of 2012, Brennan was forced to vacate that position because, to put it mildly, she flatly rejected the “Gender Identity” half of her job description.

Apart from a sordid internet history of harassing, misgendering, and mocking trans* people, Brennan co-authored a letter with Elizabeth Hungerford to the United Nations Entity for Gender Equality and the Empowerment of Women, to argue against — yes, against— legal against—yes, against—legal protections based on “gender identity or expression.” In so doing, Brennan has effectively allied herself with those on the Right who viciously deter trans* folks’ attempts to secure employment, housing and safe public spaces.

Brennan’s hateful history cost her the liaison position with Gonzaga University, but that professional disgrace has not stopped her from spreading her anti-trans* viewpoints at the annual Radfem conference. Every year, the Radfems gather in a “women-only” space to promulgate their politics of exclusion. Every year, however, conference organizers find it even more difficult to book space as people begin to recognize the Radfems for what they are: a hate group.

But the most insidious beat in this nasty narrative has come in the wake of the TERFs’ most recent conference, Radfem 2013 — the TERFs are now painting themselves as silenced victims because of their difficulties in securing space for their conference. Forbes bought into this sob story wholesale. And even the leftist publication CounterPunch has felt the need to cover “both sides” of the issue in a series of articles that debate the legitimacy of transgender identity as if we were theoretical abstractions and not human beings. There are not two sides to a debate about whether a group of people should exist.

Furthermore, if the anti-trans* rhetoric that has appeared on CounterPunch over the last two months were transposed onto gay or lesbian identity, leftists would instantly recognize it as homophobic. If Julian Vigo questioned the existence of “straight privilege” instead of the existence of “cisgender privilege,” she would be instantly shouted down by a chorus of gay-affirmative voices. If she posited that lesbians are “confused” in the same way that she argues that transgender folks “confuse sex with gender,” she would be shown the door at any leftist publication worth its salt.

Let there be no mistake: the only reason this bigotry can proceed unchecked, unexamined and unquestioned in leftist circles is because trans* folks are so vulnerable. vulnerable as a class. We don’t have access to enough avenues for publication, we don’t have enough financial resources, and we don’t have enough political clout to fight back as ferociously as we would like to. This is bullying at its simplest: pundits of both liberal and radical varieties can demonize us, ignore us, and question our legitimacybecause they can get away with it. We are strong and resilient in the face of this pushback; we have to be. But we can’t do it on our own.

We need other radical thinkers to recognize and repudiate anti-trans* argumentation. I shouldn’t have to explain the facticity of my existence in the same way that a lesbian should not have to explain why lesbianism is a viable sexual orientation. But, in the interest of equipping potential allies with the tools to dismantle the anti-trans* arguments that are currently circulating in radical communities, I’ll do myself the disservice of taking their arguments seriously enough to expose their flaws.

Simply put, TERFs hate transgender women for two reasons. First, TERFs want to eliminate gender roles and they believe that transgender women shore them up. Second, TERFs define transgender women as men based on the anatomical circumstances of their birth and believe that “actual” women must be protected from these men in order to be safe.

With regards to the first point, it takes a particularly twisted calculus to value the politics of representation over the lives of the vulnerable. Just like cisgender women, some transgender women adopt stereotypical gender roles and some do not. To single transgender women out for the perpetuation of gender roles is a leap in logic that can only be explained by a deep-seated, visceral form of contempt.

TERFs despise transgender women so much, in fact, that they end up contradicting their most beloved political commitments in order to reject them. On the Radfem 2013 website, they profess: “We believe that gender is a destructive hierarchy, which harms women and needs to be abolished.” But on the same page, they write:

We welcome radical feminists and those women who want to learn more about radical feminism. It is women-only because we believe that we need to organise autonomously in order to fight for our freedom from patriarchy.

Even as TERFs claim to desire the destruction of gender, then, they cling fervently to a reactionary and reductively biological definition of sex in order to keep transgender women out of “women-only spaces” (see second point above). To combat masculinity and femininity, TERFs paradoxically believe that they must hold fast to an illusory, iron-clad distinction between “male” and “female.” They hold themselves up as the adjudicators of sex difference and act as if they and they alone have the authority to decide who is female.

But, as feminist biologist Anne Fausto-Sterling observes in Sexing the Body:

…labeling someone a man or a woman is a social decision. We may use scientific knowledge to help us make the decision, but only our beliefs about gender—not science—can define our sex. Furthermore, our beliefs about gender affect what kinds of knowledge scientists produce about sex in the first place.

The shameful secret at the heart of TERF politics is that their commitment to sex difference is actually a commitment to the very thing they want to destroy: gender. Penises are not inherently male just as vaginas are not inherently female. Our bodies are not objective pieces of matter that pre-exist the inscription of social meaning; rather, our “beliefs about gender” inform the very notion that a penis is a male sex organ.

And, indeed, the penis is at the center of TERF politics. One of the most famous images of Catherine Brennan shows her holding a sign, addressed to transgender women, reading: “Sorry about your dick.” Over six decades after Simone de Beauvoir refuted the Freudian notion that “anatomy is destiny,” the folks in Brennan’s camp vigorously defend it in all its reductiveness. It’s past time to stop listening to feminists whose politics have an expiration date of 1949 and it’s high time to start fashioning radical communities into safer places for trans* folks.

I’m an endangered species. I shouldn’t be anymore.

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betajames
3950 days ago
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Michigan
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ckunzelman
3951 days ago
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read this
Atlanta, GA

Projection

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Banner-01

I made another game this week! Click here to play it.Even though the graphics are a rough and the audio is awful and the controls are annoying, I’m still really pleased with what I was able to achieve here. I like the idea of games like Ganbare Gorby where the main character ability is to bark incoherently at people, and for a long time I’ve been wanting to make games with social gaze, where you are unable to do anything beyond what the people around you expect you to be doing. I’d really like to work on this some more one day.

Unnecessary and somewhat self-involved exposition below…

I started work on Projection a couple of months ago, right after my Ludum Dare project made me feel confident making quirky little browser games. Eventually I lost impetus and stopped developing it, but Lydia Neon’s brilliantCreative Conflict Jam gave me an excuse to get back into it.

In Projection, your character’s abilities are determined by the gaze of NPCs. If they project fear onto you, then you will act out of fear by destroying the things that sustain you. If they project joy onto you, then you will act out of joy by sharing our gains with others. If they project hunger, you will move more slowly but everything you pick up will be worth twice as much.

You don’t have a voice of your own to change the way they see you, and if you were acting alone then your only options would be to hide from their gaze or to make the best use of their projections that you can. You have an ally who can speak to the NPCs and convince them to see you differently. They can’t see the world that you are experiencing, so you have to direct their voice to where you need it to go. In order to move on to the next level, you have to collect enough points to sustain not only you, but also your ally.

In the end, even though the game has no physical violence, you will have used a handful of different techniques for solving your problems, including taking time to convince people to see you on the same level as themselves, avoiding people whose projections you don’t want to take on, and running the fuck away from aggressive people who will not listen.


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ckunzelman
3979 days ago
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Zoya's game is pretty cool!
Atlanta, GA

Japanese Posters of David Lynch Films

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Tagged: Art, Blue Velvet, Elephant Man, Eraserhead, Film, INLAND EMPIRE, Japanese movie posters, Los Angeles, Mulholland Drive, Straight Story, Twin Peaks
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ckunzelman
3979 days ago
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Too cool
Atlanta, GA
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